All this talk of Lucille Ball's 100th birthday calls to my mind the period in junior high when I was obsessed with her. Not only would I watch as many episodes of her shows that I could get my hands on (even The Lucy Show and Here's Lucy, in which she looks more and more like a tired old drag queen and sounds more and more like Harvey Fierstein combined with a concrete mixer). I also read Lucy biographies (she was a bitch evidently), cut Lucy photos and articles from magazines, and collected Lucy memorabilia. Around the time when this fever for mid-20th century, Vivian Vance-assisted slapstick was at its height, my parents gave me a plaster bust of the red-headed comedienne, an item I displayed proudly on the bookcase in my bedroom, even after one of the eyes had fallen out.
And STILL my parents acted surprised when I came out of the closet.
ELSEWHERE:
My review of The Side Project's Cut to the Quick: On Location is in this week's Chicago Reader.